Rogue One: A Star Wars Story provides an excellent example of a very good story mostly told well.

The British indie-folk trio Bear's Den broke onto the music scene in 2012 with Islands,

Eleven-year-old Jules and her 12-year-old sister, Sylvie, make up a game called “maybe”

Each day we make thousands of decisions.

David Gungor and John Arndt, also known as The Brilliance, offer up a new album

Lysa TerKeurst’s father abandoned her when she was 8 years old.

Josh Garrels released his first album in 2002.

Meet Miss Elizabeth Sloane: competent and courageous, professional and political, fearsome and fearless, self-sacrificing and self-serving.

Problems are a part of everyday life, whether you are a preschooler or a grown-up.

I was delighted the very next week to learn of the DVD release of Uncommon Grace

Lauren, her husband, Sam, and their 13-year-old son, Ryan, have been living in Nepal as missionaries for two years.

Eleven-year-old Charlie Reese realizes that her family is “all broken and scattered every which way.

David Crowder offers listeners a bountiful buffet with his latest project, American Prodigal.

Christine Farenhorst is a Canadian writer with deep roots in the CRC, the daughter of a noted minister.

Moana is the daughter of the chief of her island. Her people farm and fish, content to be a world unto themselves.

In July 2011, when South Sudan became the world’s newest independent country,

Pop and Christian contemporary icon Amy Grant returns to the Christmas music world withTennessee Christmas.

Newt Scamander is the type of man who nonchalantly hides an entire zoo of exotic animals in his carry-on suitcase

Eighty-one-year-old Mary Oliver is widely acclaimed for her wise, lyrical poetry that presents life as a spiritual pilgrimage.

Norah Jones—perfect music for Starbucks or a dinner party?

a unique book of 25 lovely readings about animals paired with glorious woodcuts

I write this review on the evening of the death of 82-year-old Leonard Cohen,

Arrival, the latest offering from French Canadian film director Denis Villanueve, steers far from the violent subject matter of his last, well-received movie, Sicario