In a time when even the smallest difference seems to cause tension and divide humans,

Christian independent artist John Tibbs pays homage to his Midwestern United States roots with the extended play Heartland.

In the era of digital media, pop culture and its history is more cataloged than it has ever been.

Kristene DiMarco’s first record as part of Bethel Music, Where His Light Was, resounds with a hopeful message.

Alisa Turner is one of a seemingly endless stream of worship leaders and songwriters from Nashville who are turning out new music to encourage the church and help us worship.

Christian rappers Andy Mineo and Wordsplayed partner to create a well-crafted hip-hop album

Sandra McCracken has been making music in the public eye since 2000

I once had a jazz piano teacher tell me that there are no new chord progressions in popular music. 

In 2011, Arcade Fire released an album called The Suburbs that spoke to the world in a prophetic and profound way,

Not found on many Christian Contemporary Music radio stations,

Throughout the Fleet Foxes’ discography, frontman Robin Pecknold’s voice and the warm harmonies it’s presented with have always felt comforting.

The artist Propaganda discovered poetry, spoken word, and hip-hop through friends he met in college.

The Nashville Sound starts softly with “Last of My Kind,”

“Have you ever seen the wonder?”

Grammy winner and former American Idol finalist Mandisa returns to the music scene with Out of the Dark,

For those familiar with his art, David Bazan has practically become synonymous with the word “doubt.”

Willie Nelson, the self-proclaimed “young bull rider” in his song “Old Timer,”

Jaci Velasquez appeared on the Christian music scene at age 16,

The darker aspects of human experience have inspired numerous musical traditions

A hefty amount of stamina is needed when a non-metal listener like myself engages

Laura Story’s fifth studio record, Open Hands, is filled with the message of hope.

For her new album with a new label and a new producer, Alison Krauss decided to record old songs.

Long after key changes, extended guitar solos, seven-minute tracks, and songs fading out were deemed taboo